

In response to Scorsese, Feige brings up more recent examples of the risks the studio has taken, noting that Marvel hasn’t made an Iron Man film since 2013 and instead pitted Robert Downey Jr.’s Tony Stark against Chris Evans’ Captain America in 2016’s Captain America: Civil War. The pictures are made to satisfy a specific set of demands, and they are designed as variations on a finite number of themes.”īut Feige has long maintained that Marvel Studios seeks to make different types of films, and over the years has touted 2015’s Ant-Man as a heist film and 2014’s Captain America: The Winter Soldier as a political thriller. “What’s not there is revelation, mystery or genuine emotional danger,” Scorsese wrote in his Times piece. While audiences have flocked to those films, Scorsese has argued they have no real stakes. Four of the top 10 highest-grossing films of all time come from the Disney-owned studio, including Avengers: Endgame, which in July surpassed Avatar to become the highest-grossing film of all time. Since launching with 2008’s Iron Man, Marvel Studios has helped to reshape the theatrical landscape into one which critics have said leaves little room for non-franchise projects.
#CROSSOVER DEFINITION MOVIES FULL#
You can listen to the full conversation here:
#CROSSOVER DEFINITION MOVIES MOVIE#
“I think myself and everyone who works on these movies loves cinema, loves movies, loves going to the movies, loves to watch a communal experience in a movie theater full of people.” I think it’s unfortunate,” Feige says when asked about the notion that superhero movies are a negative for cinema. For a deeper dive into crossover frequencies, check out our Digital Bass Management Primer.Kevin Feige, Marvel chief creative officer and the architect of the Marvel Cinematic Universe, is sharing his first public comments about the Scorsese debate in a wide-ranging conversation with The Hollywood Reporter awards columnist Scott Feinberg on the latest episode of the Awards Chatter podcast.If you’re noticing a bass bump at the crossover frequency, try adjusting the volume control to match the output of your main speakers.Ideally, the blending will be so seamless, you won’t be able to localize the bass and everything will play in unison. Listen for a smooth transition between speakers and subwoofer.If you’re unsure about your speaker’s ideal crossover frequency, try our SVS Subwoofer Matching Tool, which will recommend the ideal SVS subwoofer for your speakers and tell you the best crossover frequency.Tower speakers with 8”-10” woofers: 40 Hz or Large/Full-Band (i.e., full-range).Tower speakers with 4”-6” woofers: 60 Hz.Very large center, surround, bookshelf: 40-60 Hz.Large center, surround and bookshelf: 60-80 Hz.Mid-size center, surround, bookshelf: 80-100 Hz.Small center, surround, bookshelf: 100-120 Hz.On-wall or Compact satellite speakers: 150-200 Hz.The numbers below highlight general guidelines for speaker/subwoofer crossover frequencies.The most common crossover frequency recommended (and the THX standard) is 80 Hz.If you know your speaker’s frequency range, set the crossover point roughly 10 Hz above the lowest frequency your speakers can handle cleanly.As with any bass management functions, it’s helps to do some critical listening and experimentation to achieve the best sounding results.Ĭheck out the entire SVS Subwoofer line-up to choose the subwoofer that is best for your TV/movie viewing. If you’re using an AV processor, preamplifier or a DSP subwoofer to adjust the crossover frequency in a two-channel or surround sound set-up, here’s a few tips to get the best performance possible. It’s generally best to leave these settings where they are.

Most modern AV receivers feature an auto EQ program that will assign the proper crossover frequency automatically based on the capabilities of your loudspeakers. The crossover frequency of your subwoofer is the frequency at which your speakers start to roll off and your subwoofer kicks in with LFEs and bass notes. SVS SoundPath Stereo RCA Audio Cable Pair SoundPath Tri-Band Wireless Audio Adapter
